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the show’s filmmakers artificially increase the sequence’s tear-jerking levels by soundtracking it with a chamber-music version of the closing track on one of the most acclaimed albums of all time: “Motion Picture Soundtrack,” the achingly sad conclusion of Radiohead’s electronic-music breakthrough Kid A it is the show’s most egregious example yet of using a song with preexisting cultural clout to do its emotional work - a syndrome we’re seeing, or hearing, with increasing frequency as Peak TV prestige dramas attempt to cut through the clutter and grab viewers, or listeners, by the heartstrings.ĭjawadi told Pitchfork that showrunner Jonathan Nolan is a big fan of Radiohead, though, and that’s partially why so many of the band’s tracks are used. Collins wrote about Westworld’s reliance on these types of emotional songs for Vulture during the show’s first season, noting: People have called out the show’s use of multiple Radiohead songs to make a scene more dramatic, saying their inclusion can make the writing look lazy. There are a number of cover songs that have caught Westworld fans by surprise, like the Rolling Stones’ “Paint It Black” and Soundgarden’s “Black Hole Sun.” Not every cover is equally loved by fans, however. Djawadi’s take on the track isn’t as quickly recognizable as some of his earlier work on the show, including a popular cover of Kanye West’s “Runaway” off West’s My Beautiful Dark Twisted Fantasy and Nirvana’s “Heart Shaped Box” off the band’s In Utero album. Westworld composer Ramin Djawadi reimagined Wu-Tang’s “C.R.E.A.M.” for the HBO series’ most recent episode. “He was burying a dream deal over pride.Cash rules everything around Westworld, so it’s only fitting that the Wu-Tang Clan’s iconic track of the same name received the Westworld treatment. “I kept my cool and didn’t spaz out on him, but in my heart I knew more than ever that his relationships in Hollywood mattered more to him than his relationship with us,” he wrote.
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The deal never materialized, however, with Raekwon claiming that RZA scuttled the project in favor of what would become the Hulu series Wu-Tang: An American Saga. They were very interested, so we got the ball rolling, talking real numbers, with the goal of an even bigger release than Straight Outta Compton.” “He was super open to the idea, and after that meal, he had his production company executives reach out to me. “He talked about his production company and all the directors he thought might do a great job - and these were big names and people he’d worked with,” he wrote. Method Man would go on to interpolate the “dolla dolla bill y’all” part from Jimmy Spicer’s “Money,” a 1983 hip-hop song that the group had been listening to “since the rec room parties in the projects.” A classic was born.Įarlier this week, Rolling Stone published an excerpt from the book detailing a meeting between Raekwon, Q-Tip and Leonardo Dicaprio in which the actor and Wu-Tang fan expressed interest in producing a Wu-Tang biopic along the lines of Straight Outta Compton. When Meth heard the song, he realized it was the perfect opportunity to use the term because that’s what the song is about: trying to get some cream.” So my cousin brought that to our neighborhood and it stuck.
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“In the ’hood everyone is big on slang because it’s a code that isn’t meant for outsiders to understand. “‘Cream’ was his way of saying he was trying to get his spread on and do well,” Raekwon wrote. I gotta get that cream.” When they asked what he meant, he told them about a Tom and Jerry cartoon in which the mortal enemies are “making sandwiches and spreading so much mayonnaise on them that when they take a bite, it looks like cream flies out all sides of the sandwich.”
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The rapper goes on to discuss his cousin who “used to come to sell crack in the ’hood” and told the group, “I’m trying to make some cream. “‘Cream’ was a word a lot of us were saying in Park Hill, and now to this day, people say it all over the world.” He came up with that iconic chorus when he was hanging with a mutual friend who sold weed,” Raekwon wrote.
Meth most of all - I called him Captain Hook. “RZA, Meth, and Dirty were what I called our hook boys. In From Staircase to Stage: The Story of Raekwon and Wu-Tang Clan, the rapper explains the unlikely influence for the hook to “C.R.E.A.M.” off the group’s landmark 1993 debut album Enter the Wu-Tang (36 Chambers): Tom and Jerry. But according to Raekwon’s new memoir, a sadistic, bloodthirsty mouse and ambitious, if overzealous, cat inspired one of the group’s most famous hooks.
Devout Wu-Tang Clan fans have long known about the group’s esoteric influences.